This study aims to explain the image of historic objects in matters of the artistic impulse. Two Pagodas in the Temple Bulguksa, those have a concrete character of the "matter & form" in the structure and buddhistic background, are chosen for this study. With analysis and synthesis of the form and structure, those must be handled by overlaping, lifting and comparing in plan, elevation and mass, the structural pattern of them can be theoretically explained and aesthetically interpreted. Conclusively, this study would be expected to make some references to the historic scene of the Temple Bulguksa.