fantasies in film show in many different forms. Genre, story structures, characters outer or inner appearance could be translated differently in the viewer's fantasy system. In order to show fantasy world, or animate something unorganic, fantasy concepts should be visualized first. invisible imaginary idea has to be shifted into some kind of forms of visibilities. in this study I discuss only on visual elements and narrow down deeply. needless to say sound is one of the most important factors of compositiong film but I deside not to include its importance in here. Manipulating color values could be the fatal methods to produce fantastic visual effects. throughout the narrative strategies this paper would find the difference between traditional film and digital intermediate color grading. and finally suggest quantifying color grading method system. Further studies would take both analogue and digital intermediate to visualize not only fantasy but different issues of visualization of inner thoughts of the director ans cinematographer to communicate with the viewers.