This paper examined the stylistic features and dramatization method of the pansori-drama produced and broadcast by DBS(Dong-A Broadcasting System) in the 1970s. Pansori-drama has significant value as an object of study because it tells us how pansori could communicate with the public through radio, which was the most popular medium among Korean people in the 1970s. DBS planned to produce and broadcast pansori-drama in the hope of popularizing pansori, which was being forgotten by the public. However, DBS developed a new type of program by grafting pansori onto radio-drama instead of presenting the traditional pansori. More importantly, the writers of pansori-drama re-created classic pansori works by modifying the original characters, creating new characters, adding new scenes, etc. Pansori-drama gained great attention and affection from the public because of its narratives, which were related to the life and problems of people in the 1970s. Namely, the popular success of Pansori-drama resulted from an effort to find an interface between classics and modern times.