Under the globalisation era, Korean film industry as a leisure industry and film watching as a case of leisure practices have been being changed. The industry and Korean\'s way of watching film have been influenced by the national identity politics and global intrusions. When the WTO system was effectuated, Korean film market had been opened. As the character of the state transformed from developmental to post-developmental state, it had not within the state power to control the market. However Korean film makers are competing with American giants in their internal film market by putting forward films closely related with national identity. More and more people want to have look and see Korean films enriching national identity than the American ones producing global standard. The wheels of Korean film globalisation set the wheels in motion by the two, global intrusions and local identity politics. What have been observed are that the power to reshape and maintain national identity is not undermined and characteristics of Korean film market is formed as diminishing contrasts and increasing varieties by the globalisation of Korean film. As a result, leisure is socially conditioned. Conventional associations of freedom, self-determination and choice with leisure are not supportable. One cannot separate leisure from the rest of life and claim that it has unique laws and propensities and rhythms.