The purpose of this study is that on the basis of LMA\'s methodology which is Laban\'s movement analysis system, to search how \"Han\" represents into movements with some expression characteristics. To achieve the purpose of the study, I analyzed them with 4 categories - Body, Effort, Space and Shape by using Laban\'s movement qualitative analysis theory, LMA. And the objects of this study are focused on the movement in Han Yeong Suk\'s lineage, Salpoori, which is expressed Korean sentiment \"Han\", and Giselle, which is well manifested of a woman dancer\'s pas seul. Also, I analyzed the special quality after recording primarily movements with using Motif Writing. Two experts of having certificates of qualifications of LMA and two Motif Writing experts verified the results that are deduced through the interpretation of two processes of singularity flowed. As a result, expression characteristics of the sentiment \"Han\" that appear in two dances are as following. Firstly, the whole body is regarded as one unit because the body application adapts Dynamic Alignment/Body Connectivity. Dancer\'s trunk makes Hollowing Shape takes a form of obvolute. With keeping this body posture, all movements employ Breath Support and Core Support. Secondly, the application of Effort is moved moderately by using effort of Bound Flow in all movements. And it also applies the Effort combination of Passing Drive (Flow/Time/Weight), which limits the use of Space Effort and Mobile State (Flow/Time) and the Effort combination of Dream State (Weight/Flow). Thirdly, the use of Space makes Inner Space and Central Spatial Tension. This logic keeps on a Dancer\'s internalization and concentration toward the inside. The movement alternates icosahedron that is shown two-dimensional space movement characteristics and regular cube that is shown three-dimensional space movement characteristics. Two arms that use a tension of central space makes Transverse or Peripheral Pathway. Lastly, the use of Shape is very important in general movement and under the condition of spreading in Shape Flow strongly, Shaping is consecutively used that the volume is emphasized on. The movements of two arms emphasize Directional Shape, which intended Directional Shape. To sum up, in the light of analogizing through the above-mentioned results, the representative characteristics in Korean dance and romantic ballets have contrastive distinction in technique of movement that consists of each dance in view of different cultural, regional backgrounds. Nevertheless, I grasped a lot of commons in a way of qualitative factors of the movement to make mood through the emotional representation through dance. Hence, the sentiment \'Han\' represents through very similar bodily expression characteristics even though having different cultural and regional backgrounds in the East and the West