This study conducted interviews with instructors to find out the current status and activation plans of non-face-to-face oriental painting practice education in university liberal arts education. First of all, the perception showed a large gap in perception depending on the instructional objectives set by the instructors, but all of them agreed that their role has been expanded through non-face-to-face classes. The preparation had an advantage in that the class plan was systematically implemented, although time and effort to prepare for the class increased. The operation had difficulties due to limitations in interaction, but the educational environment was diversified to enable dynamic classes, showing many positive aspects as well. However, there were confusion in instructor identity and skepticism which was caused by physical and psychological distance from students. Lastly, the criteria for evaluation were sincerity, strengthened in non-face-to-face situations, and it was difficult in that accurate and fair evaluation could be violated due to distortion of artworks, intentional correction, and use of modification programs. Based on the above analysis, changing the perception and attitude of instructor’s roles, resetting goals of art practice classes and setting evaluation standards for instructional objectives, material support such as equipment and space, developing and supporting learning management system were proposed for improvement.