This article explores a mythological understanding of based on the understanding that the story of the chapter is led by the two characters - the Buddhist Goddess of Mercy and the Bodhisattva of wisdom- conflicting with each other. Firstly, I briefly describe each characteristic of the gods and goddesses considering the father stands for the heaven, while the mother stands for the earth. The image of gods symbolizes a head, superiority and wisdom while the image of goddesses symbolizes a body, equality and love ('mercy' of Buddhism). Secondly, I examine on whether the Buddhist Goddess of Mercy and the Bodhisattva of wisdom are involved in the epic of the chapter. Based on my examination on its composition, the paragraphs about those two characters are contrast to each other as pairs in confrontation with each other: the episodes about the Buddhist Goddess of Mercy start with his academic achievement, while those about the Bodhisattva of wisdom begin with his worldly success. Nextly, I examine how those two conflicting episodes are connected with each other. In the Avaloketesvara illustrations, episodes about the Buddhist Goddess of Mercy, emotional factors are added to resolve the problems caused by Kyungheong's insisting wisdom first. In contrast, in the Manjušri illustrations, episodes about the Bodhisattva of Wisdom, the characters get severely reprimanded when the problems are brought by their arrogance. The former is concentrated on the assimilation through a humor, while the latter is much focusing on the dissimilation of those two factors through a satire. The Buddhist Goddess of Mercy treats people with compassion, while the Bodhisattva of Wisdom more concentrates on distinguishing between right and wrong. Finally, the epic of the chapter is integrated in a way that the two episodes firstly make us to gain wisdom and then make us maintain the balance of our minds by reprimanding us for our arrogance of losing our innocent mind. Thirdly, I identifies the realities shown by the story. the chapter of Kyungheong is about the story where the person agonizing between Shilla and Baekje passes through the problems in the realities - how to behave himself in every situation and how to get along in the world. In the last part, Ilyeon, a famous monk, adds his comments and poem praising those characters, which achieves mythological unification and realistic compromise.