This study considers the possibility of adopting exhibition methodology which is wide-spread among science museums and children's museums in order to enhance the visitors experience of art exhibitions. While museums of the fine arts concentrate their attention on collections, science and technology museums, and science centres, have responded vigorously to a felt need to teach ordinary people more science by using the special method of 'interactive exhibit' which they have developed. Audience research and the communication between visitors and exhibits are concentrated in such museums. Much of the work appears to be driven by the desire to produce better exhibits and services for the visitors or to earn money. This study acknowledges our technology-dominated society with pervasive media and advertising industries; instantaneous electronic communications, and a pluralistic culture in which the boundaries between high art and mass culture have been erode. It shows museums struggling to find a role for themselves in a culturally and politically unstable world. Until the twentieth century, museums were mainly centres for academic research and depositories devoted to collecting and conserving objects. However, museums today are generally concerned about increasing the number of visitors. It is obvious that many museums are in the process of evolving new roles with respect to communicating with public. To visitors, a museum is intended for the dissemination of knowledge through objects displayed chronologically, thus presenting a sequential story as far as possible. To curatorial staff, it is their mission that the general public should feel better and more knowledgeable about the world after visiting the museum than they did before. I will argue interactive exhibits can be an answer for both. What is interactive an exhibit? 'interactive' is an ambiguous word. Although the term interactive has become well-established in museum vocabulary, it means different things to different people in museum area. According to Oxford English Dictionary, interactive means "reciprocally active; acting upon or influencing each other" On the other hand, it means "pertaining to or being a computer or other electronic device that allows a two-way flow of information between it and a user, responding immediately to the latter's input." The latter has been widely accepted such as touch screen multimedia systems. Meanwhile, in children's museums the term 'interactive' is regarded more wildly to include activity such as using hands-on installation. In many cases it simply means that exhibits are hands-on and that visitors can expect an active rather than a passive museum experience. Many eminent educationalists believe that the most valuable learning comes through play. Supporters of the interactive movement argue that if visitors are enjoying themselves, it is more likely that they will be learning at the same time. Moreover, today most museum education programs reflect the philosophy that people learn best through participation , discovery and the stimulation of their natural curiosity. The principal point is that not all learning styles are catered for in a formal learning environment. It follows, therefore, that the informal learning environment of interactive exhibitions may provide the opportunity for individuals with different learning styles to learn effectively. When we consider the goal of interactive exhibits is not only for entertaining visitors but also for education and delivering message to visitors, and when we already know interactive exhibits provide educational effectiveness and entertainment at the same time, then we should examine the possibility of making an exhibition in art museums more educative and effective through interactive exhibit. Art museums have a responsibility to society to care for art and make it available through exhibitions, writing, and good scholarship. I would argue that they also have the challenge to introduce art to those who do not yet understand why they should be interested. When it is the prime principle that museum should be in use, interactive exhibits are core method to communicate with their users in the 'language' they speak.