Lin Fengmien(1900-1991) and Hsu Pei hong(1895 -1953) was income the educational work and study of art abroad. Lin Fengmien travelled to France in 1919, where for the six month he studied in Dijon. In 1920 he entered the Ecole des Beaux Arts in Paris. The study abroad scheme was proceeding well and in May 1924 a Group of Chinese students including Lin Fengmien held an exhibition in the Palais oi Rhine in strasbarg. Hsu was award a palace on the educational work and study course abroad. he travelled to Paris in March 1919. In April 1927, having spent eight in he return to China. During those eight years he had formed no opinion Impressionists and openly said so. Hsu had returned to China with that drawing was the foundation of painting, and set about constructing his curriculum along line. his own preference remained for 19th Century Academic painting. Some years later he was to take up the Chinese brush again. These two artists on their returned to China were given great power in the direction of art education policy. Before 1949 they were primarily responsible for the path of Chinese art, and there by responsible for the introducing western influence into Chinese art of this century. The one skill all were agreed upon that drawing from life and sketching from nature should be the priority.