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  • Visual Attentions on the Exhibition Panels of Science Museum between Gifted and Non-gifted Elementary Students

    한국교원대학교 뇌기반교육연구소 Brain, Digital, & Learning 2017, 제 7권 제 4호 3 205-217 (13 pages)

    Technology AB. Van Der Sanden, M. C.,Meijman, F. J. (2008). Dialogue guides awareness and understanding of science: an essay on different goals of dialogue leading to different science communication approaches. Public Understanding ofScience, 17(1),89-103. Wellington, J. (1990). Formal and informal learning in science: The role of the interactive science centres.Physics Education, 25(5),247 252.

    • 4,200원
  • 플립트 뮤지엄(Flipped Museum) 교육프로그램 개발 및 적용 연구

    한국조형교육학회 조형교육 2017, 제 61집 1 1-36 (36 pages)

    Technolo gy used to increase students’ engagement. Information Communication Technology , 3 rd International Conference On. Somerville, K. (2013). Museum and P-12 school collaboration and the role of a third-party facilitation. Museum Paper. Retrievedrom http://digitalcommons.buffalostate.edu/museumstudies_theses/1/ Sorrell, M. (2015). Upgraded: How modernised . London: Andy Law. Whitesel,....

    • 6,500원
    연구에서는 플립트 뮤지엄(Flipped Museum)이라 칭하면서 실지로 서울시 K초등학교 5학년 한 학급(20명)을 대상으로 하여 국립민속박물관과 연계한 사례를 개발 및 적용하였다. 이를 통해. 첫째, 플립트 뮤지엄 프로그램은 어떤 모습인 지를 제시하고, 둘째, 본 프로그램 적용 후, 여러 질적 자료수집과 분석을 통해 이전에 학교? 박물관 연계교육이 지녔던 한계를 극복할 수 있는지를 탐색하였다. 그 결과, 플립트 뮤지엄은 박물관교육이 지닌 장점을 제대로 반영하면서, 진정한 의미에서 학교와 박물관간의 협력적 파트너십을 구축할 수...
  • The Appreciation and Experience of Digital Images- Critical Review of Use of Digital Images in Museum Environment -

    한국조형교육학회 조형교육 2009, 제 34집 2 1-29 (29 pages)

    issues regarding online versus physical art experience. It is apparent that one of the fields in museums influenced by the challenge of digital technologies is education. Digital images in the museum environment transforms visitor expectations as well as the way today's museums approach education. The Internet is making incredible progress as an interpretive tool within museums. However, its major...

    • 5,800원
    and young adults, have responded enthusiastically to interactive exhibits, even coming to expect them as integral part of the museum experience (Falk & Dierking, 2000). Curators supporting the new technology argue that such innovations offer flexibility and new solution to the problem of representing complex ideas and processes. Researchers in the museum field agree that new technologies can transform the ability of museum visitors and museum professionals to interact with museum objects.
  • 초연결성의 박물관(Hyper-connected Museum): 테크놀로지 기반의 해외 박물관 서비스 혁신 사례 고찰

    한국박물관학회 박물관학보 2018, 35호 4 89-111 (23 pages)

    (2017, August). Readability of the gaze and expressions of a robot museum visitor: impact of the low level sensory-motor control. In 26th IEEE International Symposium on Robot and Human Interactive Communication (RO-MAN 2017), pp.712-713. 53) Arend, B. & Sunnen, P., 2017, Coping with Turn-taking: Investigating Breakdowns in Human-robot Interaction from a Conversation Analysis (CA) Perspective...

    • 5,200원
    박물관 3.0 시대(Museum 3.0)’의 도래에 따른 주요 변화를 전망하기 위해, 본 연구는 4차산업혁명의 핵심 기술이 박물관 서비스 혁신에 미치는 영향력을 조명하는데 목적을 두고 있다. 이를 위해 구글 아트 프로젝트, 가상현실기반의 VR 애플리케이션, 버츄얼 휴먼 가이드, VR 인터랙티브 미디어, 빅데이터 기반의 관람객 분석 및 소장품간의 관계성 분석, 머신러닝 기반의 관람객 예측, 인공지능과 머신러닝 기반의 예술작품 분석 및 재생산, 로봇 투어 가이드 등 주요 사례를 문헌 연구를 통해 고찰했다. 한 가지 주지해야 할 사항은...
  • What Should We Preserve? What Should We Change? - Points in the Revision to the Museum Law -

    한국박물관학회 박물관학보 18.19호 4 53-66 (14 pages)

    It was established for close communication and cooperation among science museums of natural 비story and science and technology types, general museums with natural rustory and science and technology departments, science centers, Z∞s aquariums and planetariums and contribute to the promotion of museum aαlvl t.1 es. Its main activities are holding study conferences, professional training of...

    • 4,300원
    Advancing globalization and the development of new communication technologies and transφ때on methods have transforrned the daily lives of the people, even their inner 띠nds. In other words, not only our material culture but our spiritual culture has been transforrned. At the time of the birth of the first museums in ]apan, they put top priority on collecting, protecting and preserving cultural artifacts scattered by the late nineteenth century anti-Buddhist movement, but eventually a museum...
  • The Mission of the Ethnological Museum

    한국박물관학회 박물관학보 18.19호 2 17-27 (11 pages)

    postcolonial mission of museum anthropology and material culture. Curators started research programs about “continuity and change" in material culture. Perhaps best example of such museum is Minpaku in Osaka. π1is is not the mode1 that Korea should also adopt πle task is more complicated and more innovative! The most appropriate mission is about cross cultura1 communication and engagement....

    • 4,000원
    a postcolonial mission of museum anthropology and material culture. Curators started research programs about “continuity and change" in material culture. Perhaps best example of such museum is Minpaku in Osaka. π1is is not the mode1 that Korea should also adopt πle task is more complicated and more innovative! The most appropriate mission is about cross cultura1 communication and engagement. He1p Koreans to appreciate other people with veπ ways of life and very different mindsets. You can do...
  • The Educational Framework for Public Programmes of the National Museum of Mankind, Bhopal (IGRMS) , and of the National Folk Museum of Korea, Seoul (NFMK)

    한국박물관학회 박물관학보 10.11호 21 433-449 (17 pages)

    programme is φen ended or closed ended. sequence or multi layered. teacher led or learner led. And the intention of the exhibiOOr or educaOOr needs 00 be made apparent 00 the public for effective communication and involvement of the learner. The educational contents can be presented in di 없rent manner factual. narrative. 439 ..PAGE:8 interrogative. hurnorous and demonstrative. Factual: Th...

    • 4,600원
    in informal setting and the need for a fluid and evolving approach to learning in museums. It continually seeks to understand its audienæs and finds out new and better ways of learning. The educational framework grows from the mandate of a museum. It is the structure that defines the public faæ of the museum. It 밍lides the development and delivery of 떠1 public programmes and it provides the foundation for measures of success and accountab피ty in public programmes. Idea1ly, it should seek...
  • Museum Marketing for Fundraising

    한국박물관학회 박물관학보 2005, 9호 8 193-221 (29 pages)

    cultural and educational institutions 섹 In this circumstance, museums need to apply marketing technique towards understand funding bodies. Marketing is the tool of communication and building a relationship. Museum marketing is obvious need for museurns which necessitate financial support from external sources. To be victorious, museums must know the external environment. Marketing strategy is...

    • 5,800원
    objects interesting to the scholar and the man of science, arranged and displayed in accordance with scientific method" 2) is no longer understood in the museum sector. As the UK’ s Museum Association has interpreted, a museum is an institution which collects, documents, preseπes and interprets material evidence and associated information for the public benefitY πlis attitude is shifting st버 fu야ler with the validity of the Museum Association' s definition regularly coming under scrutiny.
  • The Ethical Issues Related to Museum Collecting

    한국박물관학회 박물관학보 2004, 7호 5 75-92 (18 pages)

    as a means of communication between one human being and another is always “about" something in the socio-cultural matrix of which it is a part. “Aπ is a means of reaching out to others for mutualiη and is a means of communication as well as communion which can be achieved in both direct and symbolic ways"(Dissanyake 1991 : 74). In addition, art has the capacity to convey spiritual and...

    • 4,700원
    a source of information, knowledge, identity and continuity, and its important role in elucidating the various human civilization have increased the awareness of the responsibility of museum to preserve the cultural heritage as intact as possible for succeeding generations. Both problems of the illicit trade of cultural objects and the pillage of cultural property have forced members of the intemational community to act collectively the promulgation and pronouncement of intemational and national...
  • Museum Narratives and Intangible Heritage - Reflections on the concept of intangible heritage -

    한국박물관학회 박물관학보 2004, 7호 2 30-42 (13 pages)

    a place to be controlled, a distant, exotic ‘Other’ even among Koreans. Contacts between mainland Korea and Jeju can historically be described as a complex 5) A seminar was held in International Museum 8tudies. Museion. Goteborg university in November. 2002 35 ..PAGE:7 mixture of resistances and openness at the same time. Isolation and communication have brought an ever changing but unique...

    • 4,200원
    deep-rooted tradition of scientific, materialistic interpretations of museum objects and the authority of a museum. Rather than suggesting theorized views, this paper proposes open-ended questions. As a way of reflecting on these questions, two womens' stories from Jeju island and the author’s personal experiences are introduced as cases for discussion. The aim of illustrating rather subjective voices is to attempt to find a closer approach to the complexities underpinned around the concept of...