In this paper, I examined the aesthetic strategy of Dada group through the several major exhibitions in Zürich, Berlin, Cologne and Paris to found the topology of convergence as the core methodology in Dada exhibitions. Dada group’s art movement became widespread by crossing the boundaries of nations, regions, professions through the dynamic exhibitions in Europe. By using the conventional elements of exhibition making, Dada’s exhibitions established various strategies to delivery their unique aesthetic intention. At the same time, writers and artist who joint the exhibition project showed the convergent art forms and genres, such as painting, poetry, drama, performance, and publication. These experimental art practices of Dada had their own art historical value and made the infrastructure of contemporary convergent art practices. Diversity of nationality of Dada group produced the multi-cultural spirits and collaborate activities after the World War I. Therefore, Dada exhibitions functioned as an international network and an artistic center for aesthetic movement at that time.