The Jeong Pyeong-gu folktale is included in the type of legend of a
scamp-like person, which were formed in the late Joseon and early modern
period. However, there is a considerable gap between a universal scamp-like
person and Jeong Pyeong-gu in their life days. Jeong Pyeong is said in informal
discourses to be a person who developed Bicha ‘flying car’ at the time of the
Korea-Japan War. He was referred to by some newspapers published under
the Japanese colonial era, as a national cultural hero who developed Bicha.
On the other hand, a story transmitted in areas around Gimje, Jeonbuk, he
is depicted as a character who is accustomed with lying and cheating. We
cannot see the cultural hero Jeong Pyeong-gu in stories transmitted in local
areas. In the Japanese colonial era, Yujae Song Gi-myeon, a Confucian scholar
in the Gimje area, authored Jeong Pyeong-gu Jeon ‘The Story of Jeong
Pyeong-gu.’ From Jeong Pyeong-gu Jeon, we can conjecture the substantial
aspects of the Jeong Pyeong-gu folktale, though just a little, which was
transmitted in the area at that time. In Jeong Pyeong-gu Jeon, Yujae Song
Gi-myeon depicted him as an unfortunate character who was not able to
contact with the times though he was well accustomed with lying and
cheating.
In orally transmitted folktales, Jeong Pyeong-gu strongly shows features of
a scamp-like person. Jeong Pyeong-gu, a person of lying and cheating who
strongly has migratory nature rather than sedentariness, makes trouble for the
world with his abnormal behavior, and infringes the world with his laughter
and humor. Also, he absorbs legends of scamp-like people from other areas
to make them his stories. However, this paper does not interpret the Jeong
Pyeong-gu folktale in the sense of a universal legend of a scamp-like person,
but does analyze its meanings in association with the uniqueness of the areas
where the tale has been transmitted. The story transmitter does not require
Jeong Pyeong-gu to be a cultural or popular hero, or a superman. Admitting
his or her own deficit, the story transmitter faces the world, and through the
course, wants Jeong Pyeong-gu as a scamp-like person who can take the
victory.
Though Jeong Pyeong-gu cannot reform the world in the folktale, the
transmitter meets his or her own deficit and recognized a potentially
contradictory world through literary play.