- 新表現主義에 나타난 造形性에 관한 硏究
- The study to Subjective of New Expressionism
- ㆍ 저자명
- 白鐘賢
- ㆍ 간행물명
- 조형교육KCI
- ㆍ 권/호정보
- 1995년|11권 (통권11호)|pp.99-107 (9 pages)
- ㆍ 발행정보
- 한국조형교육학회|한국
- ㆍ 파일정보
- 정기간행물|KOR| 이미지(0.47MB)
- ㆍ 주제분야
- 교육학
From the beginning 20Centry eariy the science civiiizition’s development and the human Conciousness’s be formed a speedy changer than being previous to period. That build up a require of a times form the post-modernism period. In art, the history of modernism developed a number of forms(ISM), it’s expressed a spirit of the times. Through a forms of art, this expression had been exalted the value of human spirit that created a order of art that have a being and a ruies in our life according to 「The art in one demension’s social」 of the works. Hebert Marcuse speaked : ‘The contemporary art fronted the possibility of realization for new forms since the dawn of history. The stitus of art in the world has changing and the modern art get to a potential factor of establishment for the new view. That is, it’s achieved that self-purpose is a realization for it’s self-resignation and self-transcendence in art. In this way, all of arts be composed a forming in order to age-spirit in art that conquesed the circumscription it’s, it has been promised that continueally development to oreated a human nature in the moment art history. Non-humanization of human eccording to mass-media, the tension for art, since impressionism of 14ANE? Appeared that the history of modernism had a negation of the disselution aceerding to a number of ISMs. As the expression method of artists transfered in order to the development of mass-media. The subject of human have a expiration and negation, the working make attitude importanted in unconseieusness world of the human and the negation to identity, or in the negation to thought that the strueture have a centural, the spirit of human world founded a progress now. Like this, the negation of modernism history that from the early modern to the minimal art as a finalism expressed the forms of the old abstract expression. From 1970 end to 1980 early years, a few of genmany’s artist exhibited in the New York of America. Them name is Salome, Angelm Kipper, A.R.Pent, MLupertz, Geroy Baselitz est. This germans born the new painting that desire of new for the eat. This new painting named what we call new expressionism the Kitche readvent shape of the modernism in the modernism peried desired to the new interpretation of Metaphor Symbel, Anology, allegory ect, expressed the rent of image through neo-social that what we call compromising and mixture image. Consequenity, this study are refer to documents and analyze the works rezlized as the same following : First, through modernism history. descriped the reason that appeared the new expressionism, Secondart, analyzed the works of artist and moulding awareness to the subjective, Finally, studied how have an effect to the development of post-modernism forms.
序論 Ⅰ. 모더니즘의 ?史 Ⅱ. 新表現主義의 조형성 Ⅲ. 결론