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전체 선택해제
총 212건 검색
본문검색 결과만 보기
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The Educational Framework for Public Programmes of the National Museum of Mankind, Bhopal (IGRMS) , and of the National Folk Museum of Korea, Seoul (NFMK)
Jeong Chun Ok 한국박물관학회 박물관학보 17 Pages
The educational framework of a museum establishes the direction of public programmes and reflects its commitment to offer unique learning opportunities for various target groups. It provides structure of resources, roles. responsibilities and initiatives. It reflects the complexity of le없피ng throu양1 objects in informal setting and the need for a fluid and evolving approach to learning in museums. It continually seeks to understand its audienæs and finds out new and better ways of learning.... -
non-profit making permanent institution in the service of society and of its development and open to the public, which acquires, conserves, researches, communicates and exhibits, for the purposes of study, education and enjoyment, material evidence of people and their environment." ]udging from this definition collecting objects and maintaining them within a specific intellectual environment is the fundamental role of the museum. This points out the reasons why museum should adopt a collections...
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How does the Constructivism Learning Theory Apply to the Gaudi Permanent Exhibition in the Gyeonggi Children' s museums?
Chung Misu 한국박물관학회 박물관학보 30 Pages
Through my dissertation, 1 want to know how to organize the Gaudi Permanent Exhibition of Children' s Museum at Gyeonggi Province in Korea. Gaudi is a well-known Spanish architect who had tremendous creativity and was nominated as designer of 7 UNESCO World Heritage sites. 1 want to convey his creativity and love of Nature to Korean children who need creativity for their future. 1 shall start with the general history of Museum Education, roles of the museums, characteristics of educational... -
The Current State and Future Directionof University Museums in the Republic of Korea
In Sook Lee, Yun Shun Susie Chung 한국박물관학회 박물관학보 24 Pages
University museums are centers of preservation and research. The beginnings of university museums in the West demonstrate the concentration on the systematization of collecting and the use of the collections for teaching. However, most university museums do not serve as cultural centers communicating to the broader community beyond specialist knowledge. This is true for not only the West but the East as well. In conjunction with the 2004 Intemational Council of Museums general conference taking... -
Collection, Mission, Action. Bridge the Museum to the World.
Steven Engelsman 한국박물관학회 박물관학보 10 Pages
Dear‘ colleagues, Bridges to the world - the umbrella title of this year's AAM convention has puzzled me quite a bit. If you talk about building blidges, you talk about divides, don’t you? Is there indeed a divide between museums and the world? Are museums ivory towers? I find it hard to believe, celtainly here in the US. You all know your external stakeholders, don’t you, and your trustees, they do represent the outside world, don’t they? %이at has also puzzled me was that notion of bridge... -
Conservation of Far East Asian Scroll Paintings in Westem Museums
Susie Yun-Sun Chung 한국박물관학회 박물관학보 9 Pages
The alticle examines the topic of conselvation of Far East Asian scroll paintings in Western museums. It raises mllseological qllestions of conselv ing scroll paintings in glass frames. The case study is the Korean scroll painting Bodbissatva Kwanum exhibited at the Rijksmuseum in Amsterdam, The Netherlancls. -
As art, craft, or design, ceramics is a commodity in the art marketplace. However, in this market the question of the value of the medium as an art form is crucial. For ceramics to achieve a strong position in the market, perceptions of the value of ceramic art need to be changed so that it can emerge as a form of sculpture on an equal footing with other forms of arstic expression. Ceramic art has a long and glorious history in civilization, yet art can be forgotten or slip from the artistic...
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This paper offers a preliminary critical analysis of the political significance of the Korean museums during the Japanese colonial era through an examination of: first, the original concept of public museum in the both of Korea and Japanese public. Second, the relationship between Social Darwinism and the other theories involved with the colonial policy. Third, the purpose and uses of museum with ethical concem and sociological perspective. The results of this analysis rnay be summarised as...
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New Museology and Intangible Heritage in Terms of Cultural Identity
Yoon Ok Rosa Park 한국박물관학회 박물관학보 21 Pages
A person's awareness of hirrνherself can include the importance of cultural propeπy which is attached to a specific place. Meaning is created by its link with a place, the past or a known event. This fact is very important for museums. Objects are linked to local identity. The new museology movement emphasises community development by forging and enhancing a sense of identity. The new museums, such as ecomuseums, may help local people better understand their affiliation to their territory,... -
Museum Narratives and Intangible Heritage - Reflections on the concept of intangible heritage -
Min Jeong Ko 한국박물관학회 박물관학보 13 Pages
as cases for discussion. The aim of illustrating rather subjective voices is to attempt to find a closer approach to the complexities underpinned around the concept of intangible heritage. The use of subjective qualities embedded in story-centered perspectives, seem not only to challenge the curatorial underpinning of the scientific museological “voice", but may also require a new set of tools on how to appropriate intangible within a cognitive system based on handling of material heritage .
