자료유형
발행기관
- 한국박물관학회(62)
- 한국고고학회(26)
- 한국조형교육학회(11)
- 한국박물관교육학회(10)
- 한국대학박물관협회(9)
- 인문사회과학기술융합학회(7)
- 서강대학교 철학연구소(4)
- 한국음악교육공학회(3)
- 경인교육대학교 교육연구원(2)
- 이화여자대학교 교과교육연구소(2)
- 한국구비문학회(2)
- 한국습지학회(2)
- 한국여가문화학회(2)
- 한국음악교육학회(2)
- 대한설비공학회(1)
- 대한수의학회(1)
- 동국역사문화연구소(1)
- 동아시아문화학회(1)
- 아시아아동지원학회(1)
- 아시아장애사회학회(1)
- 한국과학교육학회(1)
- 한국관광서비스학회(1)
- 한국독서교육학연구회(1)
- 한국모래놀이치료학회(1)
- 한국미술교과교육학회(1)
- 한국미술치료학회(1)
- 한국보훈학회(1)
- 한국웰니스학회(1)
- 한국음악문헌학회(1)
- 한국장애인복지학회(1)
- 환태평양유아교육연구학회(1)
간행물
- 박물관학보(62)
- 한국고고학보(23)
- 조형교육(11)
- 고문화(9)
- 박물관교육연구(8)
- 예술인문사회융합멀티미디어논문지(7)
- 철학논집(4)
- 음악교육공학(3)
- 한국고고학전국대회 발표문(3)
- THE JOURNAL OF EDUCATION(2)
- 교과교육학연구(2)
- 구비문학연구(2)
- 여가학연구(2)
- 음악교육연구(2)
- 한국박물관교육학회 학술대회지(2)
- 한국습지학회지(2)
- ASIA-PACIFIC JOURNAL OF RESEARCH IN EARLY CHILDHOOD EDUCATION(1)
- KOREAN JOURNAL OF VETERINARY RESEARCH(구 대한수의학회지)(1)
- 독서교육연구(1)
- 동국사학(1)
- 동아시아문화와예술(1)
- 모래놀이상담연구(1)
- 미술치료연구(1)
- 사향미술교육논총(1)
- 설비공학논문집(1)
- 아시아아동지원연구(1)
- 아시아장애사회학연구(1)
- 음악문헌학(1)
- 한국과학교육학회지(1)
- 한국관광서비스학회 학술대회(1)
- 한국보훈논총(1)
- 한국웰니스학회지(1)
- 한국장애인복지학(1)
전체 선택해제
총 161건 검색
본문검색 결과만 보기
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The Appreciation and Experience of Digital Images- Critical Review of Use of Digital Images in Museum Environment -
Bokyung Koo 한국조형교육학회 조형교육 29 Pages
한국조형교육학회 조형교육 2009, 제 34집 2 1-29 (29 pages)
and young adults, have responded enthusiastically to interactive exhibits, even coming to expect them as integral part of the museum experience (Falk & Dierking, 2000). Curators supporting the new technology argue that such innovations offer flexibility and new solution to the problem of representing complex ideas and processes. Researchers in the museum field agree that new technologies can transform the ability of museum visitors and museum professionals to interact with museum objects. -
What Should We Preserve? What Should We Change? - Points in the Revision to the Museum Law -
Eiji Mizushima 한국박물관학회 박물관학보 14 Pages
Advancing globalization and the development of new communication technologies and transφ때on methods have transforrned the daily lives of the people, even their inner 띠nds. In other words, not only our material culture but our spiritual culture has been transforrned. At the time of the birth of the first museums in ]apan, they put top priority on collecting, protecting and preserving cultural artifacts scattered by the late nineteenth century anti-Buddhist movement, but eventually a museum... -
a postcolonial mission of museum anthropology and material culture. Curators started research programs about “continuity and change" in material culture. Perhaps best example of such museum is Minpaku in Osaka. π1is is not the mode1 that Korea should also adopt πle task is more complicated and more innovative! The most appropriate mission is about cross cultura1 communication and engagement. He1p Koreans to appreciate other people with veπ ways of life and very different mindsets. You can do...
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The Educational Framework for Public Programmes of the National Museum of Mankind, Bhopal (IGRMS) , and of the National Folk Museum of Korea, Seoul (NFMK)
Jeong Chun Ok 한국박물관학회 박물관학보 17 Pages
in informal setting and the need for a fluid and evolving approach to learning in museums. It continually seeks to understand its audienæs and finds out new and better ways of learning. The educational framework grows from the mandate of a museum. It is the structure that defines the public faæ of the museum. It 밍lides the development and delivery of 떠1 public programmes and it provides the foundation for measures of success and accountab피ty in public programmes. Idea1ly, it should seek... -
Collection, Mission, Action. Bridge the Museum to the World.
Steven Engelsman 한국박물관학회 박물관학보 10 Pages
and the world? Are museums ivory towers? I find it hard to believe, celtainly here in the US. You all know your external stakeholders, don’t you, and your trustees, they do represent the outside world, don’t they? %이at has also puzzled me was that notion of bridge to ?1e world. It’s so unidirectional: from the museum to the world rather than between the two of them. Why is that so? Is there a feeling amongst museums that they will have to act now, otherwise become too isolated and obsolete? -
museum with ethical concem and sociological perspective. The results of this analysis rnay be summarised as follows: First, the Japanese modernising movement of the nineteenth century misrecognised the role and purpose off the westem ‘public’ museum. This misinterpretation was, and transplanted onto the Korean soil. Second, Social Darwinism had become dominant in Japanese intellectual society and amongst the political leaders. These views were converted into were turned into the underpinning...
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a source of information, knowledge, identity and continuity, and its important role in elucidating the various human civilization have increased the awareness of the responsibility of museum to preserve the cultural heritage as intact as possible for succeeding generations. Both problems of the illicit trade of cultural objects and the pillage of cultural property have forced members of the intemational community to act collectively the promulgation and pronouncement of intemational and national...
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Museum Narratives and Intangible Heritage - Reflections on the concept of intangible heritage -
Min Jeong Ko 한국박물관학회 박물관학보 13 Pages
as cases for discussion. The aim of illustrating rather subjective voices is to attempt to find a closer approach to the complexities underpinned around the concept of intangible heritage. The use of subjective qualities embedded in story-centered perspectives, seem not only to challenge the curatorial underpinning of the scientific museological “voice", but may also require a new set of tools on how to appropriate intangible within a cognitive system based on handling of material heritage . -
New Policies for Museum Promotion with SPECIAL REFERENCE to the Situation in India
a key to its promotion. It will be interesting to refer to some new policies in the present Indian context and which are proving successful. The contemporary environment is very helpful for advancement of museum profession in India. We are no more a closed society. In the past, we were complacent or self-satisfied with our museum movement. Being an ancient country with a very long history of civilization, also with vast geographical area and second highest population, as a nation we felt that we... -
Combining the New with the Old : Collecting Contemporary Korean Art at the Victoria& Albert Museum
the V &A is probably better known for its Koryo celadons and Choson ceramics than for its late 20th century artifacts. Yet, the museum began acquiring contemporary Korean art already in 1991 when preparing for the opening of the Samsung Gallery of Korean Art. Since that time the collection has been growing on a yearly basis, and now amounts to around 100 objects of varying media. The following will discuss to which extent these objects hold a significant place within the museum already extensive...
